{"id":230,"date":"2015-10-19T20:41:49","date_gmt":"2015-10-19T20:41:49","guid":{"rendered":"http:\/\/www.impressionistische-fotografie.de\/?p=230"},"modified":"2026-08-15T15:18:49","modified_gmt":"2026-08-15T15:18:49","slug":"technik-impressionistische-fotografie","status":"publish","type":"post","link":"https:\/\/www.impressionistische-fotografie.de\/en\/technik-impressionistische-fotografie\/","title":{"rendered":"Techniques of Impressionist Photography"},"content":{"rendered":"<p><\/p>\n<h3><a href=\"https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-3479\" src=\"https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth.jpg\" alt=\"\" width=\"500\" height=\"353\" srcset=\"https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth.jpg 1700w, https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth-283x200.jpg 283w, https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth-1024x723.jpg 1024w, https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth-768x542.jpg 768w, https:\/\/www.impressionistische-fotografie.de\/wp-content\/uploads\/2015\/10\/Garten-von-Corinth-1536x1084.jpg 1536w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/h3>\n<h3>Techniques of impressionistic photography<\/h3>\n<section id=\"chat-history\" class=\"chatbox\">\n<div class=\"chat-message bot chat\">\n<p>When I started with photography at a young age, I felt that it would become a part of my life. This has remained true to this day. Exciting studies on light, shapes, and colors led me early on to works by Caspar David Friedrich, Claude Monet, Paul Klee, or Vincent van Gogh. I felt a deep connection with their paintings and thoughts. From this arose the desire to connect painting with photography and create new dimensions of the visible and the invisible, uniting reality and imagination.<\/p>\n<p>My goal was to draw light paintings that would enliven the art world and allow for different ways of viewing the environment. I began studying techniques like blur, Camera Painting, multiple exposures, and filter photography. This was followed by the development of my own techniques and the exploration of new possibilities in art photography, pushing the boundaries of what is possible, which I continually expand upon, as art is a complex process of ongoing development.<\/p>\n<p>The realms that artists enter when engaging in experimental photography are an inexhaustible universe of variations, regardless of the subject matter. My desire to create unique works was complemented by a deep love for nature, local landscapes, and the people who shape them, all of which play a significant role in impressionistic photography.<\/p>\n<p>Fundamentally, my works are created photographically and only occasionally further elaborated or adjusted in the realm of artworks or collages. This made it possible to combine interesting techniques from various art movements. As impressionistic photography requires a lot of experience,<\/p>\n<p>If you have any questions about experimental and impressionistic photography, please feel free to contact me!<\/p>\n<\/div>\n<\/section>\n<p>Yours sincerely,<br \/>\nAntje Schulz<\/p>\n<p>Keywords: \u00a0Camera Painting, Light Painting, Long Exposure Photography, Abstract Photography, Experimental Photography, Creative Photography, Motion Blur Photography, Impressionistic Photography, Artistic Photography<br \/>\n&#8211; Visual Poetry<\/p>","protected":false},"excerpt":{"rendered":"<p>Techniques of impressionistic photography When I started with photography at a young age, I felt that it would become a part of my life. This has remained true to this day. Exciting studies on light, shapes, and colors led me early on to works by Caspar David Friedrich, Claude Monet, Paul Klee, or Vincent van [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2667,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[3,4,5,2],"_links":{"self":[{"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/posts\/230"}],"collection":[{"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":10,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"predecessor-version":[{"id":3510,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/posts\/230\/revisions\/3510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/media\/2667"}],"wp:attachment":[{"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.impressionistische-fotografie.de\/en\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}